S H A N E M C C R A E
4 poems
AFTERHEX 3
One’s opportunities to be unhappy are
One’s singlemost inheritance, all other un
-ities requiring acknowledgment of pen
-dant interests, it’s a miracle to whom, what person
You’re still alive? The city is an alphabet
Of numbers, those past 26 a sudden never
-Ending and boundlessness, but once so short and narrow
You sang it as you smashed toy trains together, the
Sneering green engine smashing into the blue engine
That really smiled, how useful, but how really useful
Reverse nostalgia of the unfamiliar grid
Becoming home, all comfort is decay, the city
You’re sure is not a living thing because it gets
Harder as it decays, more fatal where there’s less
Of it, until it’s gone and all at once not fatal
In hills you once imagined, green hills cushion-soft
Upon which you imagined you would lay a gingham
Blanket, a wicker basket, then from the latter pull
A cartoon sandwich and a cartoon slice of pie
On a white plate, life a cartoon, the world, except
The slice itself is plastic, a dog’s chew toy, your
Dog’s toy, it matches neither world exactly, not
The cartoon world you when you were a child imagined
And not the world, the wrong colors in the cartoon
The texture of the colors wrong, no life in the world
No life at all, but in the cartoon it’s too much
Of the world and all the life in the world, the plastic pie
All comfort is decay. And you have spent your middled
Life searching for the turkey leg the greedy wolf
Pulled last from the basket in the cartoon, after watching
Which your imagination then developed almost
Without your input, you’ve searched passively, it’s true
You’ve sat at the dining table in the afternoon
And who are they, this family, you want to say
Arisen, but you want to say They manifested
Like moaning spirits in a bog, uncertain where
You got the image from, every Thanksgiving you
Have sat at the festooned table in the afternoon, a bib
From the Red Lobster in the heart of the next town over
Around your neck, knife in one hand, fork in the other
And licked your maw exactly like the greedy wolf
As if your hunger were a spell you cast on the food
But never has the cartoon turkey leg appeared
The perfect, brazen turkey leg you’ve hungered for
Since you were small, when you first saw the brazen leg
Drawn steaming from the picnic basket like a sword
Drawn steaming from the entrails of your enemy
DISPHOTIC ZONE
Yourself, that you were praising the pale dead
Halfway yourself, and half there and half not there
At which yourself will be removed, in the mid-
dle depths, where light is hypnotized from the water
By the gaining deep. To say a darkness walks
Always beneath your body is not to say
You walk in light. Light cherishes a fox
Crossing the lake above you. Run away
From the bigger animal, or chase the smaller
More you than you, from fear of you, from the womb
Be eaten then, or eat, be killed then, kill, far
The fox’s shore, but you will be consumed
​
​
IF YOU TOLERATE THIS THEN YOUR CHILDREN WILL BE NEXT
The penguins in the Doctor Strange wolf’s jet
Next to his head look small as bowling pins
I’m shopping Benzes with my mans
When has the dealer made me happy yet
When did a war last make you cry? It ain’t
Me askin’, babe. My racist friend don’t talk
Except to them as do not look
Like him, to whom he speaks no cant, but cain’t
The flyby shakes the retconned golden dice
Somewhere you’ve never been, a nomad paces
He woke to shouting from our houses
Last night. His dog is bloody with our lice
POLICE HORSES ON BOSTON COMMON
It wasn’t winter, was it April, was it June
The horses on the Common, still,
tall as tall towers
​
Each horse still with the liquid stillness of a living thing
Liquid, but will not settle into, take the shape
Of any one container, not even itself
Clopped over, shaking its head, each, a forward-going
No, led from the staging area, concrete, so not
A stable, to the rise,
it must have been a rise
​
In the grass, on which each horse assumed magnificence
The flying boundaries festooned by college banners
Or was it May? July? The future was New England
Because we die in the future. Good ye the little banners
Made big by kindless stretching, and yet saggily
Empurpling the dirty bricks. It wasn’t that
​
The cops ennobled them, the danger, no, but that
The horses made the cops seem decorative, November
Queasy with still green summer, life outliving life
Shane McCrae’s most recent books are Sometimes I Never Suffered, a finalist for the Maya Angelou Book Award, the T. S. Eliot Prize, and the Rilke Prize, and Cain Named the Animal, a finalist for the Forward Prize and longlisted for the PEN/Voelcker Award. His memoir, Pulling the Chariot of the Sun, will be published in August by Scribner. In 2023, he was awarded the Arthur Rense Poetry Prize from the American Academy of Arts and Letters, and his other awards include a Lannan Literary Award and a Whiting Writer's Award. He has also received fellowships from the Guggenheim Foundation and the New York Foundation for the Arts. He lives in New York City and teaches at Columbia University.